tag:blogger.com,1999:blog-6209138116085490472024-03-05T15:15:51.503+01:00Spazi residuali [residual spaces, terrain vague, drosscape, vacant land, terzo paesaggio, nonluoghi]Alessandro Gabbianelli Landscape ArchitectAlessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.comBlogger178125tag:blogger.com,1999:blog-620913811608549047.post-40400432635472163972023-08-07T12:18:00.003+02:002023-08-07T15:59:37.387+02:00GTL | Michael Triebswetter LANDSCHAFTSARCHITEKT, Old Bonames airfield, FRANKFURT-ON-THE-MAIN, 2002 - 2004<p><span style="background-color: white; caret-color: rgb(0, 0, 0); font-size: 16px;"><span style="font-family: georgia;">The project opens up multi-layered relations from the real to the experienced space. The simultaneity of spatially concretely studyable natural development and the dynamically process-like experience of landscapes in one place is for us one of the most exciting observations to be made at the old airfield.</span></span></p><p><span style="background-color: white; font-family: georgia;">Sources: <a href="https://gtl-landschaftsarchitektur.de/projekt/alter-flugplatz-bonames-frankfurt-am-main-bonames/">https://gtl-landschaftsarchitektur.de/projekt/alter-flugplatz-bonames-frankfurt-am-main-bonames/</a></span></p><p><span style="background-color: white;"><span style="font-family: georgia;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white;"><span style="font-family: georgia;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhm0aRioqcZrTvn2q_YSLza9ua3FVxGXWqACmtmHVXL_2t9OMFXi03R7fW6JXNarvehain85xV0fx_pocCEiELRAAb_kaG9hWo8ScqzLZLpkIKeNs-iVQl4WEeGYRGQR8PPjBGYEjcHTcrMBdp1R_PcMS7WNVPG174zV1_lhU2HYzOSeYmTGdWxYOQv56vT" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1125" data-original-width="2000" height="180" src="https://blogger.googleusercontent.com/img/a/AVvXsEhm0aRioqcZrTvn2q_YSLza9ua3FVxGXWqACmtmHVXL_2t9OMFXi03R7fW6JXNarvehain85xV0fx_pocCEiELRAAb_kaG9hWo8ScqzLZLpkIKeNs-iVQl4WEeGYRGQR8PPjBGYEjcHTcrMBdp1R_PcMS7WNVPG174zV1_lhU2HYzOSeYmTGdWxYOQv56vT" width="320" /></a></span></span></div><span style="background-color: white;"><span style="font-family: georgia;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgQX2H5yM1DlocLYXV5tm8frFg0ryPldQ5y9k02wwQ6dDIRS4jWib7ZGRpmDF3UTToRwfIBsFDUY-kNIj7yyRp1YTD6XHKJ2518kMLBpNM7rAXQryHRe8L58Cv4KyIZUzUdne4Qsvz2fq1U9Ut4LIwWIhDAVfST71MWBCAoQWcCT6TMF0RQVPRBzPBQcD2N" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1251" data-original-width="2000" height="200" src="https://blogger.googleusercontent.com/img/a/AVvXsEgQX2H5yM1DlocLYXV5tm8frFg0ryPldQ5y9k02wwQ6dDIRS4jWib7ZGRpmDF3UTToRwfIBsFDUY-kNIj7yyRp1YTD6XHKJ2518kMLBpNM7rAXQryHRe8L58Cv4KyIZUzUdne4Qsvz2fq1U9Ut4LIwWIhDAVfST71MWBCAoQWcCT6TMF0RQVPRBzPBQcD2N" width="320" /></a></div><br /><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjK0SDHMLiRlZJAHpOVenL3p1lyeCcvIRVwOFJD0yHMv2CU2EpS0WgjeW1nGiswF-ee35EPL5OVKwCtcs2rYimx-rrMWa_fz43SG613uy3_PoZoCnYAvd1K6MOAo43NY6Eib109KDgdN3aPtHdyhz3ppk4mXLR8rLsylG_MFxgpgDR416Dl4HmN6C6Wsq8y" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="1251" data-original-width="2000" height="200" src="https://blogger.googleusercontent.com/img/a/AVvXsEjK0SDHMLiRlZJAHpOVenL3p1lyeCcvIRVwOFJD0yHMv2CU2EpS0WgjeW1nGiswF-ee35EPL5OVKwCtcs2rYimx-rrMWa_fz43SG613uy3_PoZoCnYAvd1K6MOAo43NY6Eib109KDgdN3aPtHdyhz3ppk4mXLR8rLsylG_MFxgpgDR416Dl4HmN6C6Wsq8y" width="320" /></a></span></span></div><span style="background-color: white;"><span style="font-family: georgia;"><br /></span></span><p></p>Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-721685129626058292023-03-04T20:07:00.006+01:002023-03-04T20:07:40.748+01:00Natura del quarto tipo<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi84TNC73qDG9rZqUyE-n8wtRjb0VY9FgJCQFIe53il25mtXSCmljlvQIMbNjo3ik8E_9JmfUQEC7LJ36uk0mrnfKnQnPRulpTFySS6OKpEeK_7JL8L_-IioKeZal7qHRjighihGua5omQZ7aByBZV075YnSpCZq7ntNoJCi11RDlw37x7rJwUvhduwbQ/s2339/Natura%20del%20Quarto%20Tipo_conferenza%20A.Gabbianelli_3%20marzo2023.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2339" data-original-width="1654" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi84TNC73qDG9rZqUyE-n8wtRjb0VY9FgJCQFIe53il25mtXSCmljlvQIMbNjo3ik8E_9JmfUQEC7LJ36uk0mrnfKnQnPRulpTFySS6OKpEeK_7JL8L_-IioKeZal7qHRjighihGua5omQZ7aByBZV075YnSpCZq7ntNoJCi11RDlw37x7rJwUvhduwbQ/w283-h400/Natura%20del%20Quarto%20Tipo_conferenza%20A.Gabbianelli_3%20marzo2023.jpg" width="283" /></a></div><p></p><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xdj266r x126k92a" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; margin: 0px; overflow-wrap: break-word; text-size-adjust: auto; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Dottorato Interateneo di Ricerca in ingegneria Civile-Ambientale e Architettura</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; text-size-adjust: auto; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Università degli Studi di Trieste</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; text-size-adjust: auto; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Università degli Studi di Udine</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; text-size-adjust: auto; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;"><span style="font-family: inherit;"><a style="color: #385898; cursor: pointer; font-family: inherit;" tabindex="-1"></a></span>Laboratorio di Progettazione Integrata dell’Architettura e del Costruito</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; text-size-adjust: auto; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">RRR International lab a.a. 2022-23</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; text-size-adjust: auto; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">NATURA DEL QUARTO TIPO.</div><div dir="auto" style="font-family: inherit;">Alessandro Gabbianelli</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; text-size-adjust: auto; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">Introduce Adriano Venudo</div></div><div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s x126k92a" style="caret-color: rgb(5, 5, 5); color: #050505; font-family: system-ui, -apple-system, BlinkMacSystemFont, ".SFNSText-Regular", sans-serif; font-size: 15px; margin: 0.5em 0px 0px; overflow-wrap: break-word; text-size-adjust: auto; white-space: pre-wrap;"><div dir="auto" style="font-family: inherit;">3 marzo 2023</div><div dir="auto" style="font-family: inherit;">Ora: 14:00</div></div>Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com034170 Gorizia GO, Italia45.9401812 13.620175417.629947363821152 -21.5360746 74.25041503617885 48.7764254tag:blogger.com,1999:blog-620913811608549047.post-34693032419801579462022-04-07T09:48:00.005+02:002022-04-07T09:50:55.735+02:00HEITO 1909<div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: left;">Il progetto Heito 1909 trasforma il sito della storica fabbrica di zucchero di Taiwan in un nuovo parco pubblico urbano. Un’operazione di conservazione e riutilizzo adattivo delle aree ex-industriali, che apre una nuova strada nella sperimentazione del progetto del riuso di spazi dismessi e abbandonati nelle città dell’Estremo Oriente. Questo intervento, primo e finora unico a Taiwan, incorpora nel progetto con le modalità proprie dell’archeologia le “rovine” industriali nella struttura urbana che i fruitori in modo creativo possono sperimentare. Il progetto identifica e recupera le strutture architettoniche e le tracce topografiche rimanenti come dispositivi della memoria ricreando attraverso il progetto del paesaggio una sintesi magistrale di natura, cultura e storia.</div><div class="separator" style="clear: both; text-align: left;">fonte: <a href="https://paysage.it/numero-topscape/topscape-45/heito-1909/">https://paysage.it/numero-topscape/topscape-45/heito-1909/</a></div></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqvuNm8537dNnsyyQQbXT62ECthNJUvofY-9IGe1F3kC8JbjIZ7iZnfahe-O8JRb9GC36hAqhf_GIXUFfpfqy3asPiU4-BsnMro3lPpQ_FDGjQcP0YA6Dsqf3AnecAeFfgu-dkGWc8xo_zN05sGlaZuGMn8ws1EI5RMoeVfrEA2_I92drieYzojPiRSg/s1400/18-4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1050" data-original-width="1400" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqvuNm8537dNnsyyQQbXT62ECthNJUvofY-9IGe1F3kC8JbjIZ7iZnfahe-O8JRb9GC36hAqhf_GIXUFfpfqy3asPiU4-BsnMro3lPpQ_FDGjQcP0YA6Dsqf3AnecAeFfgu-dkGWc8xo_zN05sGlaZuGMn8ws1EI5RMoeVfrEA2_I92drieYzojPiRSg/s320/18-4.jpg" width="320" /></a></div><div class="separator" style="clear: both; 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text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9Ni4-jXU_2yY8qHqc6qjQkSWfpOAoqLv7CNqK9zVW72Rub4rH6gUoQ5qlCzFtyOE-y2sBPAaKgiFGZkqdCjnINnPHrEFAl44dO4wePuY1SfPXzfJjUm-0d-h9njbtfipXlRwhh_WWJ1skOu04j4zKZHBOYyj5xpPl_2KigVYff5O-ao3bADM_e0G-fw/s1400/06-5.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1220" data-original-width="1400" height="279" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9Ni4-jXU_2yY8qHqc6qjQkSWfpOAoqLv7CNqK9zVW72Rub4rH6gUoQ5qlCzFtyOE-y2sBPAaKgiFGZkqdCjnINnPHrEFAl44dO4wePuY1SfPXzfJjUm-0d-h9njbtfipXlRwhh_WWJ1skOu04j4zKZHBOYyj5xpPl_2KigVYff5O-ao3bADM_e0G-fw/s320/06-5.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOpg-pGkSdABqjrmEI7ZMVFJSHGI6O3LLcxKN5utsFgQ8U9iLwoaE579hp-O1KJCThzN8a8CFPHM87AOqi8_HfoyUIRpIKJ1hswXToaqfijWmYqks_8eNfzhvue-jwveTu813LAIrKkrfkDOxBERl_iFtcK6RNIhiue556zmvpF1JKYk-LQommn-_kyw/s2000/00-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1333" data-original-width="2000" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOpg-pGkSdABqjrmEI7ZMVFJSHGI6O3LLcxKN5utsFgQ8U9iLwoaE579hp-O1KJCThzN8a8CFPHM87AOqi8_HfoyUIRpIKJ1hswXToaqfijWmYqks_8eNfzhvue-jwveTu813LAIrKkrfkDOxBERl_iFtcK6RNIhiue556zmvpF1JKYk-LQommn-_kyw/s320/00-1.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><br /></div>immagini tratte da:<div><a href="https://landezine-award.com/heito-1909/">https://landezine-award.com/heito-1909/</a><div><a href="https://architizer.com/projects/heito-1909/">https://architizer.com/projects/heito-1909/</a></div></div>Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-45849806691812993242022-02-21T09:09:00.004+01:002022-02-21T09:15:01.836+01:00Nature in città. Biodiversità e progetto di paesaggio in Italia<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEifM6ZxTtqNx1eBTbPjj3Bccv11uxPA_glsWeh9QwrjXSlj_17SDNCsVRxPDZh8cS8vnSfEqQrzrUBDAWC_JpoKqxwBoa2oClE2lHRNkWx6r5jmBUiEiNYiwpV8stehNDpolMFt4r65OK9ydl0FK6d2kWOH6AfEbVlT09tTgm2JL3cnwDMxyzgDgYSvwg=s1581" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1581" data-original-width="1000" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEifM6ZxTtqNx1eBTbPjj3Bccv11uxPA_glsWeh9QwrjXSlj_17SDNCsVRxPDZh8cS8vnSfEqQrzrUBDAWC_JpoKqxwBoa2oClE2lHRNkWx6r5jmBUiEiNYiwpV8stehNDpolMFt4r65OK9ydl0FK6d2kWOH6AfEbVlT09tTgm2JL3cnwDMxyzgDgYSvwg=w405-h640" width="405" /></a></div><br /><br /><p></p><p>Negli anni recenti il progetto di architettura del paesaggio ha rivolto un’attenzione crescente ai temi della conservazione della biodiversità, esplorando le possibilità per una sua migliore integrazione nelle città. Mentre in contesti internazionali questo paradigma sembra ormai sedimentato, in Italia la salvaguardia della biodiversità urbana è diventata solo da qualche tempo strumento propulsore per il disegno di spazi aperti urbani e periurbani. Il libro dà conto della progressiva apertura del progetto di paesaggio ai temi della conservazione e dell’incremento della biodiversità urbana nel contesto italiano, evidenziandone modalità, strumenti e approcci prevalenti. Attraverso alcuni saggi di inquadramento, volti ad analizzare i caratteri e le condizioni – fisiche, normative, politiche, culturali – che influenzano le strategie progettuali, e attraverso la disamina di diversi casi studio, il volume discute le prospettive che si aprono oggi per il progetto di paesaggi urbani biodiversi in Italia.</p><p>INDICE</p><p>Introduzione. Coabitazioni: il progetto paesaggistico per la biodiversità, di Alessandro Gabbianelli, Bianca Maria Rinaldi e Emma Salizzoni</p><p>PARTE PRIMA: SINERGIE</p><p>Biodiversità urbana in Italia, di Emilio Padoa-Schioppa, Claudia Canedoli e Noemi Rota</p><p>Dal verde urbano alla foresta. Politiche, piani e regolamenti per le città, di Claudia Cassatella</p><p>Interazioni e integrazioni disciplinari per un progetto di paesaggio urbano biodiverso, di Federica Larcher e Paola Gullino</p><p>PARTE SECONDA: ESPLORAZIONI</p><p>Selvatico monumentale: il progetto paesaggistico delle aree archeologiche nella conservazione della biodiversità urbana, di Manuela Ronci</p><p>Progettare la distanza: interazioni uomo-natura nei nuovi ecosistemi urbani, di Emma Salizzoni</p><p>Dispositivi per far vedere e far parlare: osservare ed esplorare la biodiversità urbana, di Alessandro Gabbianelli</p><p>«This is a natural space». Ovvero, della natura urbana e l’iconicità dell’ordinario, di Bianca Maria Rinaldi</p><p>https://www.mulino.it/isbn/9788815293534</p><p><br /></p>Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-82259964108709662242021-04-02T08:48:00.009+02:002021-04-02T08:49:33.594+02:00<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-RIsVhDLaKAI/YGa93S_h-nI/AAAAAAAAUC8/krHB7eMPTdceJd2XRPJ6f_64wW2eEdoggCLcBGAsYHQ/s2048/DHTL_Abandoned%2BVillages%2BCompared%2BCase%2BStudies.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1504" height="640" src="https://1.bp.blogspot.com/-RIsVhDLaKAI/YGa93S_h-nI/AAAAAAAAUC8/krHB7eMPTdceJd2XRPJ6f_64wW2eEdoggCLcBGAsYHQ/w470-h640/DHTL_Abandoned%2BVillages%2BCompared%2BCase%2BStudies.jpg" width="470" /></a></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><p></p><div class="separator" style="clear: both; text-align: left;"><b>ABANDONED VILLAGES: COMPARED CASE STUDIES</b> </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">cycle of seminars </div><div class="separator" style="clear: both; text-align: left;">participants Renato Capozzi, Maria Cerreta, Sara Cipolletti, Angela D’Agostino, Fabrizio Foti, Alessandro Gabbianelli, Pierluigi Grandinetti, Carmelo Ignaccolo, Dimitra Kanellopoulou, Giuseppe Lacicerchia, Vito Martelliano, Mauro Marzo, Bruno Messina, Guglielmo Minervino, Claudia Pirina, Ludovico Romagni, Paola Scala, Francesca Schepis, Emanuela Sorbo, Weijia Tian, Marina Tornatora, Margherita Emma Turvani, Giovangiuseppe Vannelli, Yong Yu </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">curated by Viola Bertini Università Iuav di Venezia Sara Cipolletti Università di Camerino </div></div><p><br /> </p>Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-65897037202974862892020-12-30T23:24:00.012+01:002021-02-01T18:38:30.889+01:00Matthew Gandy, Natura Urbana<p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="373" src="https://www.youtube.com/embed/p-VHOrC5a9Q" width="450" youtube-src-id="p-VHOrC5a9Q"></iframe></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: left;"><span>Natura Urbana: The Brachen of Berlin</span></div><div class="separator" style="clear: both; text-align: left;"><span>Why make a film about wastelands or Brachen as they are referred to in Berlin? I’ve long been fascinated by urban landscapes, and especially the marginal spaces, brimming with life, that characterise many cities. Somehow these “accidental gardens” are so much more interesting than the designed and manicured forms of urban nature that characterize pervasive landscapes of speculation, function, and control.</span></div><div class="separator" style="clear: both; text-align: left;"><span>At key moments in its history the landscapes of Berlin have been radically transformed to produce an array of unusual or unexpected biotopes: the post-war years were dominated by strange rubble landscapes that became a focus of intense cultural and scientific interest; the geo-political division of the Cold War years transformed the “island city” of West Berlin into an intense experimental zone; and with the fall the Wall in 1989, a series of new void spaces were produced among abandoned buildings and along the former “death strip”.</span></div><div class="separator" style="clear: both; text-align: left;"><span>In Natura Urbana I conceive of Berlin as a living book where every street corner is a potential part of our story. The film is divided into a series of chapters that are loosely chronological but also highlight a number of interconnecting themes such as the changing meaning of public space, the role of ecological knowledge in urban politics, and way in which marginal spaces have served as a source of cultural and scientific inspiration. In particular, I have wanted to give a sense of the interplay between cultural and scientific aspects to urban nature, and develop a “double history” that weaves together changes in Berlin’s landscape as well as the wider geo-political context that has produced such distinctive spaces. Our protagonists featured in the documentary draw on a mix of experience including teaching, writing, activism, and scientific studies; they are all people whose thinking has been profoundly shaped by the marginal spaces of Berlin. Natura Urbana captures a distinctive period in the city’s history, that broadly spans from the post-war era to the most recent phase of intensified construction activity, in which many of these fascinating spaces are rapidly disappearing, a process that has gathered momentum over the last few years: some of the sites that we filmed in 2015 have already been lost.</span></div><div class="separator" style="clear: both; text-align: left;"><span>But what is an urban landscape anyway? Even a cracked pavement or neglected parking lot, with its own ecological dynamics, can serve as a kind of small-scale landscape beloved of urban botanical excursions. The idea of landscape is very much connected to the human sensorium, the sense of intrigue or exhilaration experienced by unfamiliar spaces, and also the role of distinctive vantage points such as bridges, buildings, or even aerial perspectives. In Natura Urbana, however, we are often immersed in the multi-sensory dimensions of close encounters including the distinctive acoustic landscapes of the city. There is an attention to the details and textures of space, including individual leaves, material fragments, or the jewel-like appearance of insects in the urban fabric. These fleeting moments also belie my own presence in these spaces as a geographer and urban field ecologist who has studied some of the sites that appear in the film.</span></div><div class="separator" style="clear: both; text-align: left;"><span>In making Natura Urbana I have been very fortunate in receiving funding from the European Research Council, which carries a certain obligation for me to reach out to a public audience beyond the academy. The challenge, therefore, has been to craft a film that is intellectually rigorous yet accessible to a wider audience. I have also worked with an outstanding team of collaborators who have brought their own expertise to the project, whether in terms of aesthetic contributions such as sound design or meticulous archival research to uncover fascinating traces of the city’s past.</span></div><div class="separator" style="clear: both; text-align: left;"><span>Matthew Gandy | Berlin, June 2017</span></div><div><br /></div></div><br /><a href="https://www.naturaurbana.org/" target="_blank"> https://www.naturaurbana.org/</a><p></p><div><a href="https://www.matthewgandy.org/">https://www.matthewgandy.org/</a></div>Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-83057498262521825142020-12-26T08:36:00.012+01:002020-12-29T09:13:03.182+01:00Slow Tourism and Landscape Design. A case study of the Internal Areas of Central Italy<p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://lh3.googleusercontent.com/-guJYtaeUnfw/X-bk2SMre0I/AAAAAAAATUY/o2svNU1I_NY73nE1MzyVOa3KLNrzviVuwCLcBGAsYHQ/cover_DHTL_01.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="2048" data-original-width="1407" height="640" src="https://lh3.googleusercontent.com/-guJYtaeUnfw/X-bk2SMre0I/AAAAAAAATUY/o2svNU1I_NY73nE1MzyVOa3KLNrzviVuwCLcBGAsYHQ/w440-h640/cover_DHTL_01.jpg" width="440" /></a></div><br /> <div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-MQT3Yov5zYc/X-rlA74FyJI/AAAAAAAATVI/xKSm1DyF9M8KoEVInGy3GJUy9jtJraDagCLcBGAsYHQ/s1236/Gabbianelli-Indice.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="898" data-original-width="1236" height="464" src="https://1.bp.blogspot.com/-MQT3Yov5zYc/X-rlA74FyJI/AAAAAAAATVI/xKSm1DyF9M8KoEVInGy3GJUy9jtJraDagCLcBGAsYHQ/w640-h464/Gabbianelli-Indice.png" width="640" /></a></div><br /><div style="text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://1.bp.blogspot.com/-vqaaLlZLzd4/X-rkFmbjKbI/AAAAAAAATU8/F8K0TkkzAeEJpKSv2cGmbiQqL4_cnm9GACLcBGAsYHQ/s1242/Gabbianelli-p01.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="902" data-original-width="1242" height="464" src="https://1.bp.blogspot.com/-vqaaLlZLzd4/X-rkFmbjKbI/AAAAAAAATU8/F8K0TkkzAeEJpKSv2cGmbiQqL4_cnm9GACLcBGAsYHQ/w640-h464/Gabbianelli-p01.png" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><p></p><div class="separator" style="clear: both; text-align: left;"><div class="separator" style="clear: both;"><b>SlowTourism and Landscape Design. A case study of the Internal Areas of Central Italy / Turismo lento e progettazione del paesaggio. Il caso delle aree interne dell’Italia Centrale</b></div><div class="separator" style="clear: both;">Alessandro Gabbianelli </div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;">in</div><div class="separator" style="clear: both;"><b><br /></b></div><div class="separator" style="clear: both;"><b>ARCHITECTURE TOURISM AND MARGINAL AREAS. RESEARCH AND DESIGN PROPOSALS</b></div><div class="separator" style="clear: both;">edited by</div><div class="separator" style="clear: both;">João Rocha and Viola Bertini</div></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">What is the role of architecture when enhancing tourism in a region?</div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: left;">How can the architect’s vision help reactivate under performing regions, considering the relationship between design, heritage, tourism and landscape?</div><div class="separator" style="clear: both; text-align: left;">How can design’s architectural and landscape processes contribute to the reinvention of marginal areas, reflect upon the sense of place and the needs expressed by visitors, while prioritising the region’s aims and its inhabitants?</div><div class="separator" style="clear: both; text-align: left;">The book attempts to answer these questions, by proposing interpretations and methodologies for architectural intervention.</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><i>About DHTL (Design Heritage Tourism Landscape)</i></div><div class="separator" style="clear: both; text-align: left;"><a href="http://www.iuav.it/Didattica1/workshop-e/2016/HERITAGE-T/">http://www.iuav.it/Didattica1/workshop-e/2016/HERITAGE-T/</a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><i>on LetteraVentidue</i></div><div class="separator" style="clear: both; text-align: left;"><a href="https://www.letteraventidue.com/it/prodotto/425">https://www.letteraventidue.com/it/prodotto/425</a></div><div class="separator" style="clear: both; text-align: left;"><a href="https://issuu.com/letteraventidue/docs/dhtl_issu/12">https://issuu.com/letteraventidue/docs/dhtl_issu/12</a></div></div>Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-1328219103334865892019-03-13T11:29:00.000+01:002019-05-01T09:48:01.641+02:00Il paesaggio nel progetto di rigenerazione urbana<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Georgia, Times New Roman, serif;">Il ciclo di conferenze “3 giornate studio sul paesaggio//2019” oltre ad essere un’occasione di approfondimento e di studio sulle tematiche del dibattito attuale del progetto di paesaggio, è anche un pretesto per celebrare la Giornata Nazionale del Paesaggio 2019 e più in generale per promuovere la cultura del paesaggio in tutte le sue forme.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Le quattro conferenze svilupperanno strumenti, temi e scale secondo un approccio operativo e integrato del progetto di paesaggio in relazione al progetto della città, tenendo assieme le tre dimensioni principali: quella sistemico-naturalistica, quella estetico-percettiva, e quella legata al riconoscimento, codificazione e valorizzazione del Patrimonio Culturale.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Oltre agli strumenti operativi, si approfondirà il concetto di paesaggio come termine denso, fusione e declinazione di “ambiente”, “luogo”, “spazio” e “territorio”.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Nello specifico si tratterà di paesaggio e verde in città come strumento privilegiato di progetto, recupero e rigenerazione urbana, e come tema centrale per la configurazione/qualificazione dello spazio pubblico (A. Gabbianelli, C. Meninno, L. Di Dato), ma anche come innovativa strategia multi-scalare di relazioni tra città e sistemi territoriali (G. De Napoli), tra urbano ed extraurbano, a partire dal tema-problema della frammentazione degli habitat generata dallo sprawl urbano (A. Altobelli, E. Feoli), per arrivare a trattare soluzioni e buone pratiche del progetto di paesaggio come strumento per il progetto della città (C. Meninno, L. Di Dato).</span></div>
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<a href="http://dia.units.it/it/eventi/36052">http://dia.units.it/it/eventi/36052</a></div>
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2019.03.12<br />
Titolo intervento: Il paesaggio nel progetto di rigenerazione urbana nell’ambito del seminario “3 Giornate studio sul paesaggio 2019: Dalla città al Paesaggio” organizzato dall’Università di Trieste, Dipartimento di Ingegneria e Architettura. Tenutosi presso il Polo Universitario Goriziano, Gorizia. Invitato.Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-67402804073463967032019-03-05T10:44:00.004+01:002019-03-05T10:45:36.928+01:00Nei nuovi sviluppi urbani al centro c’è il paesaggista di Paola Pierottida Il Sole 24 Ore del 04/03/2019<br />
Progettano balconi e terrazzi, tetti verdi e orti urbani, inventano “giardini verticali”, disegnano parchi, “rinaturalizzano” cave, firmano i piani territoriali tutelando gli ambienti agricoli, definiscono le strategie di mitigazione dell’impatto delle infrastrutture, tenendo conto delle strategie ambientali e dei cambiamenti climatici. Sono i progettisti del paesaggio, professionisti per anni coinvolti dagli studi di architettura o dalle società di ingegneria per una consulenza specialistica, e che ora si stanno affrancando nel loro ruolo, chiamati da committenze pubbliche e private...<br />
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vai all'articolo:<br />
<a href="https://www.ilsole24ore.com/art/casa/2019-03-01/nei-nuovi-sviluppi-urbani-centro-c-e-paesaggista-171603.shtml?uuid=AB0bT4XB&fromSearch">https://www.ilsole24ore.com/art/casa/2019-03-01/nei-nuovi-sviluppi-urbani-centro-c-e-paesaggista-171603.shtml?uuid=AB0bT4XB&fromSearch</a>Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-48408380364661305892019-02-16T10:04:00.002+01:002019-02-16T10:05:54.936+01:00Giulia Setti - Oltre la dismissione<div class="product-autore" style="background-color: white; box-sizing: border-box; color: #333333;">
Giulia Setti </div>
<div class="product-title" style="background-color: white; box-sizing: border-box; color: #333333;">
<i>Oltre la dismissione. Strategie di recupero per tessuti e manufatti industriali</i></div>
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<span style="background-color: white; color: #333333;">Cosa significa occuparsi, oggi, di dismissioni industriali? Quali relazioni possono esistere tra i processi di abbandono industriale e le modificazioni che stanno interessando i tessuti urbani?</span><br />
<span style="background-color: white; color: #333333;">“Oltre la dismissione” porta a riflettere e a interrogarsi sul ruolo che gli spazi industriali in dismissione possono assumere nelle città contemporanee e sulle possibili strategie di riuso.</span><br />
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<span style="background-color: white;"><span style="color: #333333;">https://www.letteraventidue.com/it/prodotto/273/oltre-la-dismissione</span></span>Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-28782974724510132842018-07-14T09:44:00.002+02:002019-02-16T18:09:16.986+01:00Slow Tourism in the Post Earthquake Landscape of Central Italy<div class="separator" style="clear: both; text-align: center;">
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<br />Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0Place d'Armes, 78000 Versailles, Francia48.8048649 2.12035539999999423.282830399999998 -39.188238600000005 74.3268994 43.428949399999993tag:blogger.com,1999:blog-620913811608549047.post-70138356481060722492018-03-03T16:17:00.002+01:002018-08-14T09:35:35.251+02:00Hragreaves Associates, Diller Scofidio + Renfro - Zaryadye Park, Mosca<div class="separator" style="clear: both; text-align: left;">
<span style="font-family: "georgia" , "times new roman" , serif;">After winning the international design competition in 2013, Hargreaves Associates in collaboration with Diller Scofidio + Renfro and Citymakers celebrated the opening of Zaryadye park on September 9th 2017. This park is the first large scale public park to open in Moscow in the last 50 years.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Zaryadye Park, a 13 hectare (32 acre) park in the heart of Moscow, represents a historic transformation of Russia’s capital that will demonstrate Moscow’s commitment to innovative design for 21st century civic spaces. The design is based on the principle of Wild Urbanism, a hybrid landscape where the natural and the built cohabit to create a new type of public space. Characteristic elements of the historic district of Kitay-Gorod and the cobblestone paving of Red Square are combined with the lush gardens of the Kremlin to create a new park that is both urban and green. Located on a site that was occupied throughout Moscow’s history, and until the early 1990’s by the Rossiya Hotel, the rubble filled site had sat fallow until the park’s development. Zaryadye Park is the missing link that completes the collection of world-famous monuments and urban districts forming central Moscow.</span></div>
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le immagini sono tratte da:<br />
<a href="http://www.hargreaves.com/work/zaryadye-park/">http://www.hargreaves.com/work/zaryadye-park/</a><br />
<a href="https://www.archdaily.com/880256/moscows-new-pathless-park-by-diller-scofidio-plus-renfro-artificially-creates-microclimates">https://www.archdaily.com/880256/moscows-new-pathless-park-by-diller-scofidio-plus-renfro-artificially-creates-microclimates</a><br />
<a href="http://www.landezine.com/index.php/2014/06/zaryadye-park/">http://www.landezine.com/index.php/2014/06/zaryadye-park/</a>Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0Moskvoretskaya Embankment, 3, Moskva, Russia, 11503555.751118792272393 37.62890338897705155.748884792272392 37.623860888977049 55.753352792272395 37.633945888977053tag:blogger.com,1999:blog-620913811608549047.post-45751442267147203452018-03-02T08:51:00.000+01:002018-08-14T09:34:49.797+02:00Topology<div class="separator" style="clear: both; text-align: center;">
<a href="https://3.bp.blogspot.com/-KX1ZEiNCJ_4/WpkCAgI_utI/AAAAAAAAJEs/1SNKsEw77dc-b4TpgISOaPNySdADQeLHACLcBGAs/s1600/Christophe_Girot-topology.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="888" data-original-width="650" height="400" src="https://3.bp.blogspot.com/-KX1ZEiNCJ_4/WpkCAgI_utI/AAAAAAAAJEs/1SNKsEw77dc-b4TpgISOaPNySdADQeLHACLcBGAs/s400/Christophe_Girot-topology.jpg" width="292" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;">How can an abstract term like “Topology” become pertinent and effective to landscape thinking today? There is a schism between the way landscape is understood scientifically, either as a normative network or an environmental system, and the way the same place exists emotionally for people. This disparity which prevails in today’s landscape calls for a change of approach, both in terms of action and perception. Topology, in this instance, is not confined to the science of continuous surfaces in mathematics, it can pay greater attention to deeper spatial, physical, poetic and philosophical values embedded in a long tradition of designed nature. The strength of landscape topology is that it can weave together and integrate heterogeneous fields of action into a single meaningful whole. It brings disciplines together on a common topological “vellum” capable of improving our understanding of landscape as a cultural construct with all its inherent beauty and strength.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">With contributions by: Annemarie Bucher, Gion A. Caminada, Stefan Körner, Wilhelm Krull, Norbert Kühn, Hansjörg Küster, Vittorio Magnago Lampugnani, Lothar Schäfer, Joseph Schwartz, Martin Seelis, Michael Seiler, Antje Stokman, Wulf Tessin.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://www.jovis.de/en/books/product/landscript-3.html">https://www.jovis.de/en/books/product/landscript-3.html</a></span>Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-28275893996723158082017-11-08T22:08:00.002+01:002020-10-30T22:21:59.285+01:00Forme della città contemporanea. Frammenti di visione urbane<span color="rgb(13.725000% , 12.157000% , 12.549000%)" style="font-family: "acaslonpro"; font-size: 11pt; font-weight: 700;">IMPRINTS AND IMPRESSIONS</span><br />
<span color="rgb(13.725000% , 12.157000% , 12.549000%)" style="font-family: "acaslonpro"; font-size: 11pt; font-style: italic;">Alessandro Gabbianelli</span><br />
<span color="rgb(13.725000% , 12.157000% , 12.549000%)" style="font-family: "acaslonpro"; font-size: 11pt;">All actions, whether anthropic or not, leave more or less material signs, visible clues on the territory. Marginal spaces are hybrid, spaces where the city, the countryside and infrastructures collide, generating ambiguous limits. These outwardly empty spaces receive extemporary, uncoded uses, no longer those of the hyper-specialized spaces of the “traditional” city. It is for this reason that imprints in the hybrid spaces of the suburbs are more cryptic, more complex, more stratified. This paper aims at interpreting these imprints, not only as clues, but also as the starting elements from which we can produce new transformations of marginal spaces. </span><br />
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<span style="font-size: x-small;"><span style="font-size: xx-small;"><span style="font-family: "acaslonpro"; font-style: italic;">Cadavres exquis </span><span style="font-family: "acaslonpro";">per la città contemporanea </span><span style="font-family: "acaslonpro"; font-style: italic;">Luigi Stendardo </span><span style="font-family: "acaslonpro";">6-</span></span><span style="font-family: "acaslonpro";">Da forma della città a forme nella città </span><span style="font-family: "acaslonpro"; font-style: italic;">Luigi Stendardo </span><span style="font-family: "acaslonpro";">8-</span><span style="font-family: "acaslonpro";">Progettare forme, accendere visioni </span><span style="font-family: "acaslonpro"; font-style: italic;">Luigi Stendardo </span><span style="font-family: "acaslonpro";">11</span></span><br />
<span style="font-family: "acaslonpro"; font-weight: 700;"><span style="font-size: x-small;">RICICLARE LUOGHI COMUNI
</span></span><br />
<span style="font-size: x-small;"><span style="font-family: "acaslonpro";">Luoghi comuni </span><span style="font-family: "acaslonpro"; font-style: italic;">Roberta Amirante </span><span style="font-family: "acaslonpro";">19</span></span><br />
<span style="font-size: xx-small;"><span style="font-family: "acaslonpro"; font-size: x-small; font-weight: 700;">Napoli. Piazza Mercato
</span></span><br />
<span style="font-size: x-small;"><span style="font-family: "acaslonpro";">Tre idee per un luogo comune </span><span style="font-family: "acaslonpro"; font-style: italic;">Maria Luna Nobile </span><span style="font-family: "acaslonpro";">34</span></span><br />
<span style="font-family: "acaslonpro"; font-weight: 700;"><span style="font-size: x-small;">AI MARGINI DELLA CITTÀ CONSOLIDATA
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<span style="font-size: x-small;"><span style="font-size: xx-small;"><span style="font-family: "acaslonpro";">La città delle forme </span><span style="font-family: "acaslonpro"; font-style: italic;">Luigi Stendardo </span><span style="font-family: "acaslonpro";">49-</span></span><span style="font-family: "acaslonpro";">La città non accreditata </span><span style="font-family: "acaslonpro"; font-style: italic;">Stefanos Antoniadis </span><span style="font-family: "acaslonpro";">54-</span><span style="font-family: "acaslonpro";">La città senza perimetro </span><span style="font-family: "acaslonpro"; font-style: italic;">Luigi Siviero </span><span style="font-family: "acaslonpro";">59</span></span><br />
<span style="font-family: "acaslonpro"; font-weight: 700;"><span style="font-size: x-small;">Padova. L’area dell’ex Foro Boario
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<span style="font-size: x-small;"><span style="font-size: xx-small;"><span style="font-family: "acaslonpro";">Progetto per forme </span><span style="font-family: "acaslonpro"; font-style: italic;">Luigi Stendardo </span><span style="font-family: "acaslonpro";">64-</span></span><span style="font-family: "acaslonpro";">Progettare lungo i margini </span><span style="font-family: "acaslonpro"; font-style: italic;">Stefanos Antoniadis </span><span style="font-family: "acaslonpro";">64-</span><span style="font-family: "acaslonpro";">Paesaggi sopra le righe </span><span style="font-family: "acaslonpro"; font-style: italic;">Luigi Siviero </span><span style="font-family: "acaslonpro";">64</span></span><br />
<span style="font-family: "acaslonpro"; font-weight: 700;"><span style="font-size: x-small;">TESTO COMUNITÀ IDENTITÀ
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<span style="font-size: x-small;"><span style="font-size: xx-small;"><span style="font-family: "acaslonpro";">Quale diventa il ruolo dei progetti? </span><span style="font-family: "acaslonpro"; font-style: italic;">Angelo Bugatti </span><span style="font-family: "acaslonpro";">81-</span></span><span style="font-family: "acaslonpro";">Cum-texto </span><span style="font-family: "acaslonpro"; font-style: italic;">Nadia Bertolino </span><span style="font-family: "acaslonpro";">87-Quale progetto per quale “città”? </span><span style="font-family: "acaslonpro"; font-style: italic;">Ioanni Delsante </span><span style="font-family: "acaslonpro";">90</span></span><br />
<span style="font-size: x-small;"><span style="font-family: "acaslonpro";">Composizione della forma urbana di Shanghai </span><span style="font-family: "acaslonpro"; font-style: italic;">Tiziano Cattaneo </span><span style="font-family: "acaslonpro";">93 </span></span></div>
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<span style="font-family: "acaslonpro"; font-weight: 700;"><span style="font-size: x-small;">Milano. Il quartiere Ortica-Rubattino
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<span style="font-size: x-small;"><span style="font-family: "acaslonpro";">Arcipelaghi urbani </span><span style="font-family: "acaslonpro"; font-style: italic;">Ioanni Delsante </span><span style="font-family: "acaslonpro";">97</span></span><br />
<span style="font-size: xx-small;"><span style="font-family: "acaslonpro"; font-size: x-small; font-weight: 700;">Milano. Edificio dell’ex macello comunale
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<span style="font-size: x-small;"><span style="font-family: "acaslonpro";">Ri-appropriarsi del vuoto urbano </span><span style="font-family: "acaslonpro"; font-style: italic;">Nadia Bertolino </span><span style="font-family: "acaslonpro";">103</span></span><br />
<span style="font-size: x-small;"><span style="font-family: "acaslonpro"; font-weight: 700;">Shanghai. N.</span><span style="font-family: "acaslonpro"; font-weight: 700;">55 Block Area North Bund
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<span style="font-size: x-small;"><span style="font-family: "acaslonpro";">Bowl of symbiosis eThebridge: due potenzialità </span><span style="font-family: "acaslonpro"; font-style: italic;">Tiziano Cattaneo </span><span style="font-family: "acaslonpro";">108</span></span><br />
<span style="font-family: "acaslonpro"; font-weight: 700;"><span style="font-size: x-small;">RISCRITTURA DELLA CITTÀ DIFFUSA
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<span style="font-size: x-small;"><span style="font-size: xx-small;"><span style="font-family: "acaslonpro";">Convergenze urbane </span><span style="font-family: "acaslonpro"; font-style: italic;">Luigi Coccia </span><span style="font-family: "acaslonpro";">113 -</span></span><span style="font-family: "acaslonpro";">Tracce e impronte </span><span style="font-family: "acaslonpro"; font-style: italic;">Alessandro Gabbianelli </span><span style="font-family: "acaslonpro";">121</span></span><br />
<span style="font-family: "acaslonpro"; font-weight: 700;"><span style="font-size: x-small;">Pescara. Alla foce del fiume
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<span style="font-size: x-small;"><span style="font-family: "acaslonpro";">Progetto nelle aree interstiziali </span><span style="font-family: "acaslonpro"; font-style: italic;">Luigi Coccia </span><span style="font-family: "acaslonpro";">129</span></span><br />
<span style="font-size: xx-small;"><span style="font-family: "acaslonpro"; font-size: x-small; font-weight: 700;">Senigallia. L’area del parcheggio di Villa Torlonia
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<span style="font-size: x-small;"><span style="font-family: "acaslonpro";">Progetto nelle aree marginali </span><span style="font-family: "acaslonpro"; font-style: italic;">Alessandro Gabbianelli </span><span style="font-family: "acaslonpro";">137</span></span><br />
<span style="font-family: "acaslonpro"; font-weight: 700;"><span style="font-size: x-small;">ALTRE INTERSEZIONI
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<span style="font-size: x-small;"><span style="font-size: xx-small;"><span style="font-family: "acaslonpro";">Spazi luminosi e conquista della notte </span><span style="font-family: "acaslonpro"; font-style: italic;">Massimo De Marchi </span><span style="font-family: "acaslonpro";">145-</span></span><span style="font-family: "acaslonpro";">Per il riuso dell’architettura del XX secolo </span><span style="font-family: "acaslonpro"; font-style: italic;">Angelo Bertolazzi </span><span style="font-family: "acaslonpro";">149</span></span></div>
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<br />Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-68127998281045691532017-10-11T07:33:00.000+02:002017-10-11T07:34:43.371+02:00Oltre le rovine<div class="separator" style="clear: both; text-align: center;">
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<br />Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-83748450888818207822017-07-06T08:39:00.001+02:002017-07-06T08:53:24.150+02:00Déchets - Les carnets du paysage 29<div class="separator" style="clear: both; text-align: center;">
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<b>michela de poli</b>, traces de paysages recyclés</div>
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<b>bernard laponche</b>, les déchets nucléaires</div>
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<b>gilles a. tiberghien</b>, effrangés de la ville</div>
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<b>daniel terrolle</b>, zones d'ombres et de lumières: de la trsmutation du déchet au recyclage social</div>
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<b>alexandre malfait</b>, les poussères de mangegarri</div>
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<b>carole barthélémy et arlette hérat</b>, le beau et le dangeraux, le protégé et le pollué</div>
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<b>phoebe clarke</b>, le bidonville au prisme del'art</div>
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<b>agathe le mire</b>, d'une ambivalence à l'autre. accompagner la métamorphose d'une décharge littorale en baie de saint-brieuc</div>
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<b>philippe hilaire</b>, du déchet à la ressource. les matériaux inertes: une géomorphologie à lœuvre</div>
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<b>francois roumet</b>, le matériau de démolition comme structure de sol et élément de paysage</div>
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<b>béatrice mariolle, bernadette lizet, marine linglart, pauline mayer, marie-ange jambu</b>, l'architecture, l'habitant et la nature: comment construire la connivence?</div>
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<b>denis delbaere</b>, à propos du projet de qualifiction paysagère du centre de valorisation organique de loos-sequedin</div>
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<b>isabel claus</b>, paysage de l'obsolescence</div>
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<b>catherine rannou et éric hardy</b>, eternity. ou les ruines contemporaines issues se l'industrie agro-alimentaire bretonne</div>
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Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-32651901610837662582017-06-04T18:07:00.004+02:002019-02-16T18:07:38.384+01:00Richard Haag - Gas Work Park, Seattle, 1971-1988<div class="separator" style="clear: both; text-align: left;">
In landscape architecture, history was invoked as a means to create specificity and uniqueness, especially on postindustrial sites, an early example being Seattle's Gas Work Park (1971-88) by Richard Haag, where the relics of a gasification plant were preserved. By drawing on the past uses and materials of a particular place, landscape was conceptually understood as a cultural palimpsest - as one layer among many - rather than a tabula rasa, as had been the case during industrialization. Even on sites where all previous material traces (both natural and cultural) had been erased, history became a way to engage place as designers took inspiration from a site's past (such as previous geometries or materials) to inform their designs.</div>
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<span style="font-size: x-small;">(Karen M'Closkey, <i>Unearthed. The Landscape of Hargreaves Associates</i>, University of Pennsylvania Press, Philadelphia, 2013)</span></div>
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<a href="https://3.bp.blogspot.com/-1Uix1J6YACs/WTQpOrWjs6I/AAAAAAAAFEM/Suw3fKV0Eh4DKRz5jzOyXs5OXujkTR_QACLcB/s1600/Gas_Works_Park_site_1966.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="819" data-original-width="1024" height="318" src="https://3.bp.blogspot.com/-1Uix1J6YACs/WTQpOrWjs6I/AAAAAAAAFEM/Suw3fKV0Eh4DKRz5jzOyXs5OXujkTR_QACLcB/s400/Gas_Works_Park_site_1966.jpg" width="400" /></a></div>
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<span style="font-size: x-small;">(source: wikipedia)</span></div>
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<a href="https://3.bp.blogspot.com/-gUKV9RqKMQ4/WTQnzS_PvrI/AAAAAAAAFEI/sXPpPUlpRWcHVe4AKazGZo0C2i8x_SbCwCLcB/s1600/GWP-Aerial.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1144" data-original-width="1513" height="301" src="https://3.bp.blogspot.com/-gUKV9RqKMQ4/WTQnzS_PvrI/AAAAAAAAFEI/sXPpPUlpRWcHVe4AKazGZo0C2i8x_SbCwCLcB/s400/GWP-Aerial.jpg" width="400" /></a></div>
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<a href="http://richhaagassoc.com/studio/projects/gas-works-park/" target="_blank">http://richhaagassoc.com/studio/projects/gas-works-park/</a>Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-89539806409372522462017-04-28T15:12:00.005+02:002018-03-02T08:54:00.263+01:00Il verde e lo Spazio Pubblico. Per un’infrastruttura ecologica e sociale<b>Verso l’Accordo sugli Scali ferroviari</b><br />
<b>Tre convegni per discutere</b><br />
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Dopo un percorso lungo e articolato (ancora in corso) - che ha attivato istituzioni, cittadini, proprietà, progettisti - si preparano gli ultimi atti per la stesura del nuovo Accordo di Programma, documento che consentirà l’avviamento del processo per il riuso degli Scali Ferroviari dismessi.<br />
Il comune di Milano, assieme al Politecnico di Milano e all’Ordine degli architetti PPc della Provincia di Milano, ha organizzato tre mattine di convegno dedicate alle trasformazioni urbane con l’intento di sollecitare il contributo di studiosi ed esperti su alcuni temi cruciali: le infrastrutture ferroviarie al centro della rigenerazione; il verde e lo spazio pubblico per un’infrastruttura ecologica e sociale; la qualità urbana per abitare i quartieri di domani.<br />
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<a href="https://3.bp.blogspot.com/-0Qo21wwFNe8/WQM-yo3SH4I/AAAAAAAAEaE/0sj9Dsr-GIscZ5JbhzVXMp42FjVvcXv2wCLcB/s1600/Il%2Bverde%2Be%2Blo%2Bspazio%2Bpubblico-LOCANDINA.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://3.bp.blogspot.com/-0Qo21wwFNe8/WQM-yo3SH4I/AAAAAAAAEaE/0sj9Dsr-GIscZ5JbhzVXMp42FjVvcXv2wCLcB/s640/Il%2Bverde%2Be%2Blo%2Bspazio%2Bpubblico-LOCANDINA.jpg" width="451" /></a></div>
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<b><span style="font-size: large;"><br /></span></b></div>
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<b><span style="font-size: large;">Il verde e lo Spazio Pubblico.</span></b></div>
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<b><span style="font-size: large;">Per un’infrastruttura ecologica e sociale</span></b></div>
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introduce:</div>
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<b>Simona Collarini</b>, direttore Area pianificazione urbanistica generale, comune di Milano</div>
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presentano i casi studio:</div>
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<i>The Atlanta belt-line e Parc aux angéliques, Bordeaux</i></div>
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<b>Antonio Di Campli</b>, professore di urban design, pontificia universidad Javeriana, bogotá</div>
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<i>Parco Martin Luther King e La petit ceinture, Parigi; Schoneberger Sudgelande Nature Park, Berlino</i></div>
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<b>Alessandro Gabbianelli</b>, professore a contratto di progettazione urbana, scuola di Architettura e design di Ascoli piceno, Università di Camerino</div>
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presenta i risultati della raccolta di scenari di sviluppo urbano effettuata da sistemi urbani:</div>
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<b>Andreas Kipar,</b> Paesaggista, membro del comitato scientifico di scali Milano presenta i risultati del lavoro di ascolto nei Municipi:</div>
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<b>Laura Pogliani</b>, professore associato di urbanistica, politecnico di Milano dAstu</div>
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ne discutono:</div>
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<b>Giancarlo Consonni</b>, professore emerito di urbanistica, dAstu, politecnico di Milano</div>
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<b>Stefano Boeri</b>, Architetto, sbA</div>
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<b>Marina Trentin</b>, paesaggista, eliante, rotaie Verdi</div>
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<b>Paolo Inghilleri</b>, professore ordinario di psicologia sociale università degli studi di Milano</div>
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<b>Flora Vallone</b>, presidente di AiAp lombardia</div>
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Modera la discussione:</div>
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<b>Alessandro Trivelli</b>, consigliere dell’ordine degli Architetti p.p.c. della provincia di Milano </div>
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conclude:</div>
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<b>Carlo Monguzzi</b>, presidente commissione Mobilità, trasporti, politiche ambientali, energia, protezione civile, Animali e Verde, comune di Milano.</div>
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http://www.ordinearchitetti.mi.it/it/notizie/dettaglio/9078-il-verde-e-lo-spazio-pubblico-per-una-infrastruttura-ecologica-e-sociale</div>
<br />Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-53105690543443983442016-10-25T19:49:00.000+02:002019-02-16T18:08:52.350+01:00Metamorfosi degli spazi improduttivi"Metamorfosi degli spazi improduttivi", in Luigi Coccia, Alessandro Gabbianelli, <i>Riciclasi Capannoni</i>, Aracne Editrice, Roma, 2015<br />
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<a href="https://issuu.com/recycleitaly/docs/20_re-cycle_riciclasi_capannoni-ilo" target="_blank">https://issuu.com/recycleitaly/</a>Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-9491846277875925082016-08-25T12:25:00.001+02:002016-08-25T15:00:32.157+02:00In Situ - Jardin Rosa Luxemburg, 18ème ZAC PAJOL.<div class="separator" style="clear: both; text-align: center;">
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http://www.in-situ.fr/#/projets/tous/zac-pajol<br />
http://www.landezine.com/index.php/2016/08/rosa-luxemburg-garden-by-in-situ-architectes-paysagistes/Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0La Chapelle, Parigi, Francia48.889421718080641 2.362795472145080648.88876921808064 2.3615349721450807 48.890074218080642 2.3640559721450805tag:blogger.com,1999:blog-620913811608549047.post-22797837823654294482016-04-11T10:49:00.000+02:002016-04-11T10:49:49.257+02:00Turismo: tracce adriatiche<div class="separator" style="clear: both; text-align: center;">
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<b>Turismo: tracce adriatiche</b><br />
<b>lezione di Alessandro Gabbianelli</b><br />
nell'ambito del ciclo di conferenze "Turismo. aree marginali e progetto"<br />
a cura di Mauro MarzoAlessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-69042826735870241752016-02-25T18:02:00.001+01:002016-03-22T10:04:16.466+01:00Il progetto dello spazio turistico. Strategie dell'effimero e del radicamento<div style="text-align: justify;">
<span style="font-family: "georgia" , "times new roman" , serif;">a cura di Antonio di Campli e Alessandro Gabbianelli</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Il volume restituisce i risultati di una ricerca sul progetto di nuovi spazi del turismo lungo i litorali del medio-Adriatico condotta all’interno del Laboratorio di Progettazione Urbana C che si è tenuto nell’anno accademico 2013-2014 presso la Scuola di Architettura e Design “Eduardo Vittoria” di Ascoli Piceno (UNICAM Università di Camerino). La questione posta al centro del laboratorio è stata l’invenzione di nuovi spazi, servizi e attrezzature ricettive in un contesto, quello del medio-Adriatico, ormai da tempo considerato destinazione turistica in declino. Qui, paradossalmente, il fenomeno turistico, gli stili abitativi, i modi di fruizione del territorio ad esso associati, vengono considerati sempre più importanti nei processi di rigenerazione urbana e delle economie di questi litorali.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">Con scritti di:</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Antonio di Campli, Alessandro Gabbianelli, Sara Cipolletti, Silvia Vespasiani, Francesca Pignatelli</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">All'interno progetti di:</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">-Guy Rottier (<a href="http://guy.rottier.free.fr/index.htm">http://guy.rottier.free.fr/index.htm</a>)</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">-NeriandHu Design, <i>100 Etchings: A Journey<span id="goog_1534271138"></span><span id="goog_1534271139"></span><a href="https://www.blogger.com/"></a> Within</i> (<a href="http://en.neriandhu.com/" target="_blank">http://en.neriandhu.com</a>)</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">-KSE Studio, <i>Ahotel</i> (<a href="http://ksestudio.org/" target="_blank">http://ksestudio.org</a>)</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">-BPL Architects, <i>Bedrock</i> (<a href="http://blp.gr/" target="_blank">http://blp.gr</a>)</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">-EMF Landscape Architects, <i>Tudela Culip Restoration Project</i> (<a href="http://www.emf.cat/" target="_blank">http://www.emf.cat</a>)</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">GOtoECO Editore (<a href="http://www.gotoeco.it/editrice.php">www.gotoeco.it</a>)</span></div>
<span style="font-family: "georgia" , "times new roman" , serif;">isbn 978-88-97102-07-6<span id="goog_1507234367"></span><span id="goog_1507234368"></span><a href="https://www.blogger.com/"></a></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://issuu.com/alessandrogabbianelli/docs/progetto-spazio-turistico-gabbianel" target="_blank">Il progetto dello spazio turistico su ISSUU</a></span><br />
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<br />Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-12273161076118563672015-10-06T22:36:00.001+02:002015-11-18T21:28:46.608+01:00CIVITANOVISSIMA - Mostra di progetti per Civitanova Marche<div class="separator" style="clear: both; text-align: center;">
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<span style="font-weight: normal;"><span style="font-size: small;"><span style="letter-spacing: 0px;">da martedì 29 Settembre</span></span></span><br />
<span style="font-weight: normal;"><span style="font-size: small;"><span style="letter-spacing: 0px;">a domenica 11 Ottobre</span></span></span><br />
<span style="font-weight: normal;"><span style="font-size: small;"><span style="letter-spacing: 0px;">cantiere navale Scalalaggio Anconetani</span></span></span><br />
<span style="font-weight: normal;"><span style="font-size: small;"><span style="letter-spacing: 0px;">via Caduti del Mare - Civitanova Marche</span></span></span><br />
<span style="font-weight: normal;"><span style="font-size: small;"><span style="letter-spacing: 0px;"><br /></span></span></span><span style="font-weight: normal;"><span style="font-size: small;">a cura di</span></span><br />
<span style="font-weight: normal;"><span style="font-size: small;"><br /></span></span><span style="font-weight: normal;"><span style="font-size: small;"><span style="letter-spacing: 0px;">UNICAM Università di Camerino</span></span></span><br />
<span style="font-weight: normal;"><span style="font-size: small;"><span style="letter-spacing: 0px;">SAD Scuola di Architettura e Design “Eduardo Vittoria” - Ascoli Piceno</span></span></span><br />
<span style="font-weight: normal;"><span style="font-size: small;"><span style="letter-spacing: 0px;">Corso di Laurea in Scienze dell’Architettura - Laboratorio progettuale pre-laurea aa 2014-2015</span></span></span><span style="font-weight: normal;"><span style="font-size: small;"><span style="letter-spacing: 0px;"><br /></span></span></span><br />
<span style="font-weight: normal;"><span style="font-size: small;"><span style="letter-spacing: 0px;"><br /></span></span></span>
<span style="font-weight: normal;"><span style="font-size: small;"><span style="letter-spacing: 0px;">Luigi Coccia con Alessandro Gabbianelli Silvia Lisi</span></span></span><br />
<span style="font-weight: normal;"><span style="font-size: small;"><span style="letter-spacing: 0px;">Marco D’Annuntiis con Sara Cipolletti Emmanuele Pedicone</span></span></span><br />
<span style="font-weight: normal;"><span style="font-size: small;"><span style="letter-spacing: 0px;">Massimo Perriccioli con Laura Ridolfi Elisa Ciucciové</span></span></span><br />
<span style="font-weight: normal;"><span style="font-size: small;"><span style="letter-spacing: 0px;">Massimo Sargolini con Roberta Caprodossi Ilenia Pierantoni</span></span></span><br />
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Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-85456230618619469672015-07-08T22:49:00.001+02:002015-07-08T22:49:56.485+02:00Marco Casagrande Laboratory - Ruin Academy, Taipei<div class="separator" style="clear: both; text-align: center;">
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Ruin Academy (Taipei, Taiwan 2010 -) is an independent cross-over architectural research centre in the Urban Core -area of Taipei, Taiwan. The Academy is run in co-operation between the Finland based Casagrande Laboratory and Taiwanese JUT Foundation for Arts & Architecture. We occupies an abandoned 5-story apartment building in central Taipei. All the interior walls of the building and all the windows are removed in order to grow bamboo and vegetables inside the house. The professors and students are sleeping and working in mahogany made ad-hoc dormitories and have a public sauna in the 5th floor. All the building is penetrated with 6 inch holes in order to let "rain inside". The Academy is viewed as an example or fragment of the Third Generation City, the organic ruin of the industrial city.<br />
Ruin academy is set to re-think the industrial city and the moden man in a box. It organizes workshops and courses for various Taiwanese and international universities.The research and design tasks move freely in-between architecture, urban design, environmental art and other disciplines of art and science within the general framework of built human environment.<br />
Without his ruins man is just a common ape.<br />
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<a href="http://www.clab.fi/">http://www.clab.fi</a>Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0tag:blogger.com,1999:blog-620913811608549047.post-1585587788931500162015-07-06T15:19:00.001+02:002020-10-30T22:20:25.519+01:00adh architects - Jardins des Fonderies a Nantes<div class="separator" style="clear: both; text-align: center;">
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Au cœur du nouveau projet urbain de l’Ile de Nantes, le Jardin des Fonderies est aménagé dans les halles rénovées des anciennes Fonderies Atlantiques. Deux parties le composent :<br />
- le Jardin des Fours, autour des anciens outils de fonderies, s’attache à mettre en valeur les traces du passé industriel du site,<br />
- le Jardin des Expéditions rassemble sur 3000m² des essences de végétaux ramenées en Europe par la façade atlantique lors des grandes expéditions des XVIe, XVIIe et XVIIIe siècles.<br />
Le jeu des végétaux et du métal, la luxuriance des plantes venues des quatre coins de la planète, la lumière qui traverse la toiture, procurent à ce jardin une atmosphère singulière et unique.<br />
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Lieu : Nantes (44) - Maîtrise d’ouvrage : SAMOA - Maîtrise d’oeuvre : ADH architectes, paysagistes | BTP bet charpente & couverture | GCA bet vrd, économiste | LE LOIR opc | PIXELUM concepteur lumière - Programme : réhabilitation des nefs des anciennes fonderies atlantique et création d’un jardin couvert - Surface : 3 200 m² - Budget : 2,2 M€HT - Calendrier : livraison 2009<br />
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crédits photographiques : Hervé ABBADIE <a href="mailto:abbadie@noos.fr">abbadie@noos.fr</a> | ADH<br />
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<a href="http://www.landezine.com/index.php/2009/09/foundries-garden/">http://www.landezine.com/index.php/2009/09/foundries-garden/</a><br />
<a href="http://www.doazan-hirschberger.com/fr/projets/detail/jardin-des-fonderies.html">http://www.doazan-hirschberger.com/fr/projets/detail/jardin-des-fonderies.html</a>Alessandro Gabbianellihttp://www.blogger.com/profile/00682412720586658488noreply@blogger.com0